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A Initial Communique from The Form known only as KLUE
The form writhed in the icy depths and darkness enveloped its frame. Splinters of blue ice tore into Klue’s lungs, but as the surface drew nearer the creature’s savage rejuvenation began. The eyes bore through the blackness as the strength of the predator grew. Moonlight started to penetrate down through the Lofoten waters and this furthered the dark inspiration that pushed the creature upwards. Klue sensed the imminence of the second arrival and fetid excretions were expelled from the form as the moment approached.
With only seconds left. The propulsion turned the creature momentarily on its side, but a vertical entry position was regained by wild thrashing strokes from the hind – quarters. The beast tore into the world for a second time, amidst a cloak of Phosphorescence and Klue was catapulted a few metres above the surface – due to the cumulative pressure behind the upward journey.
As it trod water, saliva was brushed from the mouth: like a man in motion but essentially a creature through the frame. It sensed land and moved towards the indistinct mass close by. It sensed prey but wanted to tame the misery of hunger – lock it in place with cruel desires that allowed play before the kill. Klue trembled as a hunter’s anticipation coursed through cold veins. It had been too long, so he was going to savour the first slaying – starve himself just that bit longer until they arrived on the scene. He expected them, the unwitting servants of his black desires – the sacrifice to usher in his rebirth.
As his form contacted land, he drew himself up to his full height. Klue was a man when he needed that shape, but a beast when he revealed his true nature.
Both forms entwined as he surveyed the Maelstrom. He waited for them, his glinting eyes forcing a cold marriage with the dark waters. They would come.
This has been a excerpt from Chapter Four of [easyazon_link asin=”B00DBEO5J4″ locale=”UK” new_window=”default” nofollow=”default” tag=”shk-21″ add_to_cart=”yes” cloaking=”default” localization=”default” popups=”default”]The Scream of Feyer: hitching a ride with a suicide bomber[/easyazon_link].
Articles
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About The Memory Camera Project
For further information about the parameters of this in relation to neuroscience,
please read this with the upmost of urgency.
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Books
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Steve Hammond Kaye has three books published with a fourth book on the way called BLOOD SMELLS. Chills, spills and a techno-pumping apocalyptic hell-hole for the senses are held within…
About Steve
Steve Hammond Kaye is a UK based author who has written six books including ‘The Memory Camera Project’ Trilogy which consists of Book 1 – Thirty Four Minutes Dead (TFMD), Book 2 – The Scream of Feyer and Book 3 – Coils Of The Overkill. The other books are Sultry Renditions, Reflections From The Sepulchre and The Butterton Incident.
He started writing Thirty Four Minutes Dead (TFMD) in 1990 and concluded the said novel in 1998. It was originally published via a now defunct online publisher between the years 2001 – 2008 where it rose to a top 11 place in their best sellers list.
Steve has also written erotica content for many high-end printed and online magazines and enjoys incorporating these elements along with avant-garde violence, horror and techno-thriller elements within his novels.
Overall, Steves’ style is to pitch for the bottom end of a discerning audience marketplace, but it may also hold the interest of sections in the ‘mass’ readership. The choreographed style of violence and ‘obsessive’ treatment of sexual parameters, seek to gratify both types of potential audiences. his novels are definitely not a pulp construction.
Steve was a AS Film Studies Lecturer in the South of England and now enjoys writing, spending time with his family, supporting his beloved Queens Park Rangers and walking his two Black Pumas along the beautiful sandy beaches of the Isle of Wight, UK.
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